Interview yourself for your autobiography. A useful resource for autobiography writers.
Writing truthfully is an act of rebellion. Writing longhand is revelling in the experience. In the absence of cave walls on which to tell our stories, it is the rawest way to express the written word.
If I don’t write every day, I lose confidence, and then I can’t write, because, like most creative people, I am quite mad.
My God, I was an arrogant writer when I was younger. I knew my work was good, and I reacted to criticism the way flat-earthers respond to the inconvenient truth. I was hot stuff, they were wrong/moronic/picking on me, and the world would have to catch up with my genius sooner or later.
I’m a buzzed-up giant. The washing machine in my head is spinning my clothes for the 800th time although they’re already clean. I’m a whirr. I’m polo-mint breath puffed onto an eyeball …
It’s such a small, frivolous thing to be thankful for when the world has been brought to its knees by influenza’s older, demented half-brother, with a chip on his shoulder and daddy issues.
Good question …
I contacted ‘LGBT She-Ra’ a few weeks back to see if she would do me the honour of sharing her life story, to potentially create a memoir together. I should add at this stage that ‘She-Ra’ is not her real name. It does, however, reflect what an absolute warrior she is – a warrior of the heart.
“You’re in the river,” she says. “It’s choppy, too choppy, wild. It’s throwing you around. You’re drowning.”
What the hell is she trying to do? My panic intensifies, grows colour around it, as I’m thrown around by the unyielding current. How is this helping?
“We could get dressed up, move the sofa, put the light out, grab the opera glasses and Frazzles.” (Our snack cupboard was looking a bit bare.)
So we did. I in my long pinstripe jacket and bowtie, hair oiled back and moustache drawn on with eyeliner pencil. She in her flapper dress and boa. I have no idea where she found the peacock feather to stick in her hair, but it was a nice touch.
It’s almost as if we spend our lives guarding our darkest secrets, shielding ourselves from the gaze of others, but what if these authentic parts are our most beautiful and human?
I recently watched a man drink a whole bottle of salad crème in the library, and there wasn’t a salad leaf in sight. Straight from the bottle. Glug, glug, glug. To me, this epitomises libraries in the twenty-first century: a catch-all for those in freefall from the community services and projects that have been cut by the government, looking for a place to belong or snooze or drink condiments. As a writer, obsessed with people-watching, I love it.
My emotional ghostwriting experience, telling a story that needed to be told.